Jeremiah Gyang, a renowned Nigerian singer, songwriter, instrumentalist, and record producer, has voiced his endorsement of artists, both in the secular and gospel music realms, who charge fees for performing at churches and sell tickets for their concerts.
In an exclusive interview with Matthewtegha Blog, Jeremiah Gyang, widely recognized as one of Nigeria’s most versatile artists, shared his perspective on the ethical aspects of gospel musicians requesting payment for their performances, emphasizing that there is nothing morally objectionable about this practice.
Gyang staunchly defended artists in the Christian space, asserting that they shouldn’t be criticized for setting gate fees for their concerts. He passionately expressed, “Those who work hard should be compensated, so if artists are organizing concerts and charging fees, the audience should be willing to pay. Whether it’s gospel or secular music, if there’s a ticket price, it should be respected. If you appreciate their work, pay the fee. If you don’t, then abstain from paying, but complaining about it is a sign of disrespect for the hard work of these artists.”
The multi-talented artist explained that hosting concerts involves significant financial investments, stating, “Some may argue that it’s all about money, but one must understand that hosting concerts requires funding. You can’t approach a venue owner and expect to use their facility for free while expecting blessings, just as you can’t ask an instrument seller to provide instruments without payment.”
Jeremiah Gyang stressed the importance of fair compensation for labor, asserting that there is no biblical distinction between gospel and secular musicians, and all musicians deserve payment for their efforts. He noted, “Even musicians who serve in churches and perform on pulpits should receive compensation, as it is a fair practice. When audiences enjoy the music but refuse to pay, they indirectly disrespect the musicians and, in a way, disrespect the prophets.”
To support his viewpoint, Gyang referenced Nehemiah 12:46 and 47 from the King James Version (KJV) of the Bible, highlighting the biblical order that he believes should be upheld in today’s churches. He argued that both musicians and ushers should receive financial support from the church to maintain decorum and professionalism, and if any issues arise, the church should bear the responsibility.
Furthermore, Gyang cited Nehemiah 13:10, emphasizing that gospel musicians today should be compensated using tithes and offerings as resources.
Regarding his music and its connection with the audience, Jeremiah Gyang explained his two distinct audiences and how he tailors his approach to each. For music enthusiasts, he emphasizes the artistic beauty of his work, while for those who engage with his message, he focuses on themes of repentance, return, and rising, aiming to contribute to nation-building and encourage people to return to God. He also expressed concerns about the Christian Church’s shift towards industry service instead of guiding people back to God.
